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In his office midtown Manhattan, he generously gave us some time to pause and think together. Together we have been developing artistic and pedagogical bridges between France and New York since 2008. I have known and worked with Tom Oppenheim and the Studio for over 15 years and I have had the great privilege and honor to be named French Ambassador of the Studio. The Interview:Ĭéline Nogueira: Director of the Stella Adler Studio in New York and grandson of Stella Adler, Tom Oppenheim is a pillar and guardian of the internationally known legacy, techniques and philosophy of Stella Adler. He is the recipient of the 2009 Laurette Taylor Award from Theatre East and a co-editor, with Herbert Kohl, of The Muses Go to School: Inspiring Stories About the Importance of Arts in Education (The New Press).
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TV credits include Sydney Lumet’s TV series, 100 Center Street. Film credits include Mike Nichols’ Wolf, Art Jones’ Going Nomad and Dodgeball and Deborah Kampmeier’s Virgin and Hound Dog.
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Jambalaya’s productions of Othello as Iago, and Featuring Loretta Henry IV, Part 1 and Macbeth at the New Jersey Shakespeare Festival, Henry VI, Part I, II, III at Theater for a New Audience, Juana Queen of Spain at EST, Bound East for Cardiff at The Provincetown Playhouse, Romeo and Juliet at the Mint Theater, Comparing Books at the Producer’s Club. Acting credits include the title role in Shakespeare’s Macbeth as well as Michael in Buzz McLaughlin’s Sister Calling My Name, both with the Harold Clurman Laboratory Theater Company.
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He studied acting at the National Shakespeare Conservatory and with his grandmother Stella Adler. Programs like the Outreach Division help to create an environment for all students to become actors like Stella and those in the Group Theater: actors who are socially and consciously aware and whose awareness contributes to their ability to act passionately.2Tom Oppenheim is the artistic director and president of the Stella Adler Studio of Acting. The school is a cultural center determined to train actors and support artists not despite, but in the face of a world in crisis. A successful student for Stella is not necessarily one who becomes famous or rich, but one who connects to their deeper self and to our shared humanity. Like Jacob, Stella and Harold, the studio affirms that the primary function of theater is to uplift humanity. The Stella Adler Studio upholds a unique focus in American actor training.
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Recent participants in the arts series include Julianne Moore, Harold Mabern, Harold Bloom, John Patrick Shanley, Mark Strand and David Amram.
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![stella adler studio of acting india stella adler studio of acting india](http://www.letitbeart.com/images/Tom-Oppenheim.jpg)
#Stella adler studio of acting india professional
Professional Actor Training, the core activity of the studio.The scope of the school’s current activities can be summarized in three categories: The studio’s mission is to create an environment with the purpose of nurturing theater artists and audiences who value humanity, their own and others, as their first and most precious priority while providing art and education to the greater community. In addition to the world-class professional training, the studio has evolved into one of the most culturally rich environments in New York City through its cultural center programming. The spirit that has animated the Adler family for more than 100 years stems from the insight that growth as an actor and growth as a human being are synonymous. In 1972, the Stella Adler Studio of Acting became the first professional actor training school to become affiliated with NYU’s Tisch School of the Arts. Adler, one of the great actors of the American Yiddish Theatre, and also include Harold Clurman, Stella’s second husband and co-founder of the Group Theatre.
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Its roots, however, go back even farther, to Jacob P. Since its founding in 1949, the Stella Adler Studio of Acting has trained thousands of actors, many of whom have gone on to important theater and film careers.